Ashoka Vanamlo Arjuna Kalyanam Movie Review: Vishwak Sen is well-known for his Mass, but in the film Ashoka Vanamlo Arjuna Kalyanam, he tries something new: Mass ka Das transforms into Class ka Das. Many fans and movie critics have been waiting for its release to see if the classy character, Vishwak Sen, could pull it off. The wait is over, however, as the film Ashoka Vanamlo Arjuna Kalyanam was released today, May 6, 2022, to a slew of positive reviews. Let’s see if the film lives up to the expectations.
Ashoka Arjuna Vanamlo Arjuna Kalyanam tells the story of Allam Arjun, a moneylender in Suryapet who is harassed by his family and society for being single after turning 34. His family, on the other hand, never stops looking for a bride who is a member of their cast; unfortunately, the same cast brides have been left out, leaving him with no choice. Allam Arjun’s family locates a bride from the Godavari who belongs to a different caste than him. Pasupuleti Madhavi refuses Allam Arjun (Rukshar Dhillon). Last but not least, why did she turn him down? Is he going to get married in the end? To comprehend them, you must be aware of all of them.
Cast & Crew
Arjuna Kalyanam stars Vanamlo, Ashoka Vishwak Sen, Rukshar Dhillon, Ritika Nayak, Goparaju Ramana, Raj Kumar, and others. The screenplay was written by Ravi Kiran Kola, the film was directed by Vidya Sagar Chinta, the music was composed by Jay Krish, the cinematography was shot by Pavi K Pavan, and the film was produced by Bapineedu B and Sudheer Edara under the banner of SVCC Digital and presented by BVSN Prasad.
|MovieName||Ashoka Vanamlo Arjuna Kalyanam|
|Cast Leads||Vishwak Sen, Rukshar Dhillon Ritika Nayak, Goparaju Ramana, Raj Kumar and others.|
|Director||Vidya Sagar Chinta|
|Producer||Bapineedu B & Sudheer Edara|
|Written by||Ravi Kiran Kola|
|DOP||Pavi K Pavan|
Vishwak Sen despises being typecast, which is why he is always looking for new and exciting projects. Ashoka Vanamlo Arjuna Kalyanam’s most appealing feature is its relatable storyline, as late-thirties marriage is today’s generation’s biggest problem, and I’m sure this film helped to redefine the stigma associated with late-thirties marriage.
The director doesn’t waste any time in getting into the main plot, so the film gets off to a good start. The film moves at a good clip for about 15 to 20 minutes before the screenplay slows down. After the pre-interval, the film becomes more interesting, and the first few comedy scenes work well, but we can see the artificiality in a lot of the characters’ behavior. The second half of the film is the film’s backbone; Arjun’s conflict is well-developed in the second half, but the payoff could have been better.
Regarding Vishwak Sen’s performance as Allam Arjun, we must first congratulate you on choosing this script and portraying a character in his forties. Despite the fact that he justified his character as Allam Arjun and delivered a fine performance, emoting well in some comedic scenes, his appearance is a little phone. Rukshar Dhillon is equally as good as Allam Arjun as Pasupuleti Madhavi, one of the most well-written female characters in recent memory, and she, like the rest of the cast, did an excellent job as Madhavi.
Technically, the film’s writer is Ravi Kiran Kola, who also directed Raja Vaaru Rani Vaaru. For the past decade, we’ve been missing these kinds of clean family entertainment films, and he’s slowly making his mark in the Telugu film industry, and I’m confident he’ll become a good writer in the future. Vidya Sagar Chinta, the director, should be mentioned because he fails in some areas but manages to keep the audience engaged throughout.
Pavi K Pavan’s cinematography is excellent because he captured the requirements of the film, and Jay Krish’s music is significant because he uses some unique sounding and made the audience laugh in a number of scenes with his unique sounding, and the rest of the departments performed admirably.
Finally, Ashoka Vanamlo Arjuna Kalyanam is a worthwhile film that redefined the social stigma associated with marriage in one’s late thirties.
Movie Rating: 3.5/ 5
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